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Session Two: In-Depth Analysis of Ebrahim Golestan’s Iconic Film "Brick and Mirror"- (1965)

Sun, 29 Sept

|

Google Meet

🎬 Brick and Mirror is criticised for artificial dialogue and disconnected scenes, but this is intentional. The film begins and ends with monologues that highlight the characters’ isolation in a society shaped by an oppressive regime. The fragmented structure reflects this societal disconnection..

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Session Two: In-Depth Analysis of Ebrahim Golestan’s Iconic Film "Brick and Mirror"- (1965)
Session Two: In-Depth Analysis of Ebrahim Golestan’s Iconic Film "Brick and Mirror"- (1965)

Time & Location

29 Sept 2024, 6:30 pm – 8:30 pm AEST

Google Meet

Guests

About the event

🎬 Join Us for a Cinematic Journey! 🎬

Dive into the rich and fascinating world of Iranian New Wave cinema with Dou-Eyvan Art House’s exclusive event series, “New Wave, From Another Viewpoint”. Each month, we’ll uncover the hidden gems and overlooked masterpieces that have shaped a unique era in film history.

Session Two: Analysis and Review of Ebrahim Golestan’s Landmark Film "Brick and Mirror" - 1965

🗓 When: Sunday, 29th September at 6:30 PM AEDT

📍 Where: Google Meet

🎥 What to Expect:

The main criticisms of Brick and Mirror focus on its supposedly artificial dialogue and disjointed scenes. However, the film deliberately lacks scripted dialogue except in a few specific scenes and begins and ends with monologues that reflect opposing perspectives on the film’s dark world. These monologues, heard from mass media, symbolize the isolated and self-centered nature of the characters, shaped by an oppressive, monolithic regime. The fragmented structure of the film reflects this societal disconnection, not a flaw in the narrative. When dialogue gives way to monologue and selfishness prevails, unity and coherence become impossible.

Don’t miss out on this unique opportunity to experience and explore the captivating stories and artistic innovations of Iranian New Wave cinema.

Sign up now for all four uocoming events and not only save but be part of a community that celebrates the beauty and depth of cinematic art!

SPEAKERS

Reza Qias

  • Film critic and Instructor
  • Collaborating with cultural and cinema publications since 2009 Teaching at governmental and private institutions since 2011
  • Co-author of “The Cinema of Nasser Taghvai” with Saeed Aqighi, published by Cheshmeh in 2021

Amirata Jolae

  • Critic of Cinema and Literature since 2007
  • Translator and Editor of specialised literary, cinematic, and theatrical articles and books since 2012
  • Film and Theater instructor since 2010
  • PhD in Philosophy of Art

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